Katherine A. Mohr #036. This Peccatte‑inspired bow is built with strength and clarity as its defining traits. The pernambuco stick has a warm orange‑brown tone with distinctive, unique natural spotting, chosen for the individual character of the wood. The Tip Armor™ faceplate adds durability at the head and offers an added measure of security for international travel. The lilac‑colored cultured opal is equally travel‑safe, impervious to perspiration, will not wear or fade, and is visually striking under stage lights. This bow is very strong, highly sensitive, and articulate, with an immediate response and an active, reliable staccato that responds readily to a confident player’s intent. Its responsiveness and range make it especially well suited to solo and chamber performance, where nuance, control, and expressive freedom are essential.

Cello bow coming soon!

Rodney D. Mohr bow #1135. This violin bow is a Lupo-inspired model with an exceptionally even, composed balance that feels immediately settled in the hand. The round pernambuco stick shows subtle, natural figure beneath a warm red-brown tone. The mammoth tip reflects a traditional aesthetic. It offers clarity and control across the string, with a reliable response that supports both refined articulation and sustained resonance. The overall handling reflects a thoughtful equilibrium from frog to tip. This is a bow that rewards consistency in musical intention, making it a dependable and elegant partner for a wide range of repertoire.

Rodney D. Mohr bow #1171. This viola bow is a Sartory-inspired model designed with stability and reliability at its core. The round pernambuco stick has a red-brown tone and a clean, understated appearance. The TipShield™ faceplate adds durability at the head and offers an added measure of security for international travel. This bow is evenly balanced and forgiving, with a steady response that supports consistent articulation and controlled sound production. Its secure handling and dependable nature make it particularly well suited to orchestral playing, where clarity, stability, and ease of control are essential.

Rodney D. Mohr bow #1170. This cello bow is an original model, built with a clear emphasis on strength, balance, and reliable response. The round pernambuco stick has a warm orange-brown tone with quiet visual depth, remaining deliberately understated. The TipShield™ faceplate adds durability at the head and offers an added measure of security for international travel. This bow is evenly balanced, with a direct, responsive feel that supports clear articulation and controlled sound production. Its stable handling and versatility make it well suited to a wide range of players and repertoire, reflecting the practical, player-centered character of Rodney’s original designs.

Rodney D. Mohr bow #1174. This cello bow is an original model that reflects a grounded, composed character while maintaining balance and control. The round pernambuco stick has a deep brown tone with beautiful visual depth, giving it an appearance reminiscent of an antique. The TipShield™ faceplate adds durability at the head and offers an added measure of security for international travel. This bow sits securely into the string, providing a stable, confident contact that supports clear articulation and controlled sound production. Its composed handling and reliable response make it a strong option for players who value steadiness and consistency, particularly in repertoire that benefits from a firm, well-supported connection to the string.

NuBows feature an original patented design by award‑winning bow maker Rodney D. Mohr, developed with sustainability and environmental responsibility at their core. All materials are derived from legally sustainable managed resources selected to remain travel‑friendly. Constructed from bamboo, one of nature’s strongest and most renewable materials, the stick is strong, responsive, and durable, with playing qualities that closely mirror those of a traditional bow. The Sonowood™ frog is made using wood species from sustainably managed forestry. Its durability and scratch-resistant surface greatly reduce signs of wear. The bow features an inlaid cultured opal decorative element that is impervious to perspiration, resistant to wear, and visibly striking in any light. Balanced, responsive, and notably affordable, this bow provides a modern, environmentally conscious option for players seeking strength, clarity, and reliability without compromise.

Photo and description coming soon…

This bow by Guy Jeandel* is a Sartory‑style bow produced in Brazil. The pernambuco stick is paired with an ebony frog and silver mountings, resulting in a clean aesthetic that reflects its practical intent. In the hand, the bow offers a stable, predictable response with a forgiving feel and steady control. Its balanced handling and dependable behavior make it a solid choice for students and advancing players.

This antique bow by Adolf C. Schuster was made in Saxony in the early 20th century and reflects the traditional craftsmanship of its period. Constructed from pernambuco with an ebony frog and silver mountings, it presents a classic, understated appearance appropriate to a bow of its age. It stands as a representative example of a German workshop bow from the early 1900s. Its age, durability, and practicality suggest a reliable and serviceable bow, well suited to players seeking the feel and substance of a century‑old bow.

This pre‑1940s German workshop violin bow is a visually appealing example of traditional craftsmanship, with a particularly well‑shaped head and an attractive ebony frog that give it a refined, classic look. The round pernambuco stick has a warm red‑brown tone and is paired with whalebone lapping, silver mountings, and a silver cap button and tip. In the hand, it offers a balanced, dependable feel with steady control, making it a reliable option for advanced students or players focused on refining technique.

This German violin bow by Herman W. Prell is distinguished by a more substantial, grounded character that favors depth of sound and strong contact with the string. The octagonal pernambuco stick has a rich red‑brown tone and is fitted with silver wire lapping, an ebony frog with silver mountings, and a clean, traditional blind frog with an abalone slide and cap button. This bow sits deeply into the string, offering a confident, anchored feel that can help draw a fuller, more supported sound. Its added mass contributes to stability and power, making it a particularly appealing option for players who appreciate a bow with presence, including those who alternate between violin and viola or prefer a more deliberate, weight‑assisted response.

This German violin bow by Albert Nürnberger is a fine example of the maker’s well‑regarded workshop tradition, known for consistency, clarity, and reliable playing qualities. The octagonal pernambuco stick has a red‑brown tone and is fitted with silver tinsel lapping, an ebony frog with silver mountings, and a clean blind frog with a silver slide. The absence of eyes and the all‑silver slide contribute to durability at the frog while maintaining a restrained, traditional appearance. This bow offers a slightly more substantial feel that supports clear articulation and controlled response. Its balanced handling and predictable behavior make it an excellent all‑around playing bow, well suited to serious students and advancing players seeking a refined, dependable Nürnberger.

This German violin bow by Albert Nürnberger offers a lighter, more agile character while retaining the reliable playing qualities for which the Nürnberger workshop is known. The octagonal pernambuco stick shows gentle natural figure beneath an orange‑brown tone and is paired with silver tinsel lapping, an ebony frog with silver mountings, round mother‑of‑pearl eyes set in silver rings, and a three‑piece cap button. In the hand, the bow feels quick and responsive, with an ease of articulation and a lively, controlled bounce that supports clear staccato and nimble string crossings. Its lighter feel and refined handling make it an appealing choice for players who value responsiveness and clarity, offering a distinct alternative within the Nürnberger tradition while maintaining balance and control.

This pre‑1940s German viola bow is a straightforward, student‑quality example of traditional workshop production. Made from Brazilwood with an ebony frog and nickel silver fittings, it presents a simple, functional appearance without decorative excess. In the hand, the bow offers a stable, predictable response with a forgiving feel and steady control, supporting reliable technique development and consistent sound production. Its balanced handling and practical construction make it a solid choice for students and advancing players seeking a dependable viola bow at an accessible price point.

This bass bow by H.R. Pfretzschner is distinguished by a strikingly beautiful Brazilwood stick, unusually highly figured for the material, with a natural, deep, rich brown tone. The round stick is paired with silver wire lapping, an ebony frog with nickel silver mountings, a clean blind frog with a mother‑of‑pearl slide, and a three‑piece button, with a Tip Armor™ tip providing added durability at the head. This bow offers strength, clarity, and a confident response that sits deeply into the string and helps draw a full, well‑supported sound. Its balance and articulation make it particularly well suited to players seeking a strong, dependable bass bow with the projection and control required for serious performance, reflecting qualities trusted by players at the audition and professional level.